On June 1, 2023 the Administration met with members from the Reefline team to discuss the project, including production and installation timelines. During this meeting it was noted that specialized skills would be needed in order to capture this project properly, considering that a portion of this documentary would be filmed underwater.
The Administration contacted production companies who were able to meet the minimum requirements and provided them with the guidelines below:
The Request
All quotes submitted must include costs associated with the following requirements:
- Production of two videos:
1 x 90 second teaser / trailer video
1 x 30-minute documentary video
- All videography and production for a 6-8-month period (estimating appx 15-20 hours per week). Filming will take place as the installation is put in place (underwater in the Atlantic Ocean), however, the documentary must take into account all interviews, b roll at artist studios, in sea and on land.
- Script and storytelling – we will rely on your team to script and tell this story.
- Must include costs for all lighting, audio, video, editing, cinematography, transportation, talent, wardrobe, craft services, permitting, etc.
- Must include all costs for high resolution, underwater videography equipment to capture placement.
- Must include all administrative costs including insurance, legal, 10% contingency, etc.
- Does not need to include media budget for promotion of video.
The Proposals
The Administration received the following four proposals:
Lightpalace - $247,020.40
www.lightpalaceproductions.com
Scholl Creative - $247,500.00
www.schollcreative.com
Filmless - $375,000.00
www.filmless.com
First Light Studios - $414,461.00
www.firstlightstudios.com
Attached are the detailed proposals from each company.
In addition, the Administration reached out to several large studios (Netflix, National Geographic, Discovery Channel) to gauge interest in this project, but as of the printing of this agenda, no replies have been received. Industry professionals informed the Administration that studios would not likely fund a project such as this, but would be more inclined to pick it up after production has been completed. This means that funding would not be available from studios to fund the initial stages of the documentary.